Nigerian singer Habeeb Okikiola, widely known as Portable, once captivated audiences with his rise from obscurity to stardom. With his breakout hit “ZaZoo Zehh” in 2021, featuring industry heavyweights Olamide and Poco Lee, Portable’s story was one of inspiration—an artist from the streets making it big against all odds. However, in recent times, his actions have painted a vastly different picture, one that raises concerns about his role as a public figure and the example he sets for his fans.
On Thursday, February 8, 2025, Portable was arraigned at the Isabo High Court in Abeokuta, Ogun State, following his surrender to the Lagos State Criminal Investigation Department in Yaba.
This development came after he was declared wanted by the Ogun State Police Command for allegedly leading an attack on officials from the Ogun State Ministry of Physical Planning and Urban Development on February 5, 2025.
The officials, who were carrying out an enforcement exercise at his bar in Sango Ota, sustained injuries, and while nine of Portable’s associates were arrested, the singer managed to evade capture—until his recent surrender.
Portable’s legal troubles add to a growing list of controversies that have characterized his career. From public altercations with fellow artists to allegations of violent behavior, the singer has consistently found himself in the headlines for the wrong reasons. His brash demeanor, once perceived as part of his “street credibility,” has become a liability, raising concerns about his responsibility as a role model.
The Ogun State Government has strongly condemned Portable’s actions, describing him as a “serial dissident and unrepentant rascal.” In their statement, they reiterated their commitment to upholding the law and ensuring that individuals, regardless of status, are held accountable for their behavior.
This latest incident begs the question: Should an artist of Portable’s influence continue to behave in a manner that contradicts the responsibility that comes with fame? As an entertainer with a vast following, particularly among Nigerian youth, his actions carry weight. Many young, aspiring artists see him as a beacon of hope—a testament to the possibility of success despite humble beginnings. Unfortunately, instead of using his platform to inspire, Portable has become a cautionary tale of how success, when not managed properly, can lead to repeated lapses in judgment.
In a society where many young people look up to musicians, actors, and athletes for guidance and motivation, Portable’s recent behavior is a stark reminder that fame alone does not equate to good leadership.
Role models are expected to lead by example, demonstrating resilience, responsibility, and respect for the law. While no one is perfect, the expectation is that public figures recognize their influence and make efforts to grow positively.
There is still time for Portable to turn things around.
He can use this moment as an opportunity for self-reflection and growth, acknowledging the need to change his approach to conflict resolution and public conduct.
Apologizing and making amends, not just through words but through actions, would be a step in the right direction. More importantly, he needs to reassess the image he portrays and the legacy he wants to leave behind.
For now, however, his recent actions continue to overshadow the potential he once represented. If he fails to recognize the importance of setting a good example, he risks alienating not just his fans, but also the industry that once embraced him. The path to redemption remains open, but only if Portable is willing to take it.
